5 Easy Ways to Write More While Traveling

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As a writer, I love to travel.

I differentiate this travel-love from the spark of wanderlust most everyone carries—this travel-love is about getting inspired, stealing tidbits from experiences I never would have had otherwise, and slipping them between pages in a story.

I’m a bit of a creeper, to be honest.

I’ll eavesdrop on conversations in coffee shops, even if I don’t understand the language, just to get a sense of the rhythm of emotional exchange. I’ll watch the local woman haggle for a better price on oranges while her kids weave around her varicose legs. I’ll write down every detail I can soak in—from the smell of the trees that only grow on this island, to the shape of the clouds over the sun at noon, to the insults drivers shout at one another in rush-hour traffic.

This is a kind of travel-love I think a lot of writers share.

But traveling for writers comes with its own share of challenges. How do we maintain our practice while on the road? How do we keep a routine when the very nature of travel disrupts the routines we spent so much time and energy cultivating?

And how do we maintain a balance between experiencing the place we’re in and holding space for our work?

It may sound crazy, but I find I’m often more productive while on vacation. This is because I know I’ll have a limited amount of time, and so I go in with a plan that is realistic for me to execute but still leaves space for what I want to accomplish.

Here are 5 things to think about as you get ready for your writing/traveling adventure so you can write more while still enjoying your vacation. Continue reading 5 Easy Ways to Write More While Traveling

How To Turn Distraction Into Your Best Writing Session Ever

I am a writer.

I also have ADD.

But I suspect this experience is not entirely unfamiliar to other writers:

I’m working on a story, and then—BAM—I’m hit with a brilliant idea for another project, or a scene for later on in the piece, or a detail I want to make sure to include somewhere, etc.

The problem?

I either get so absorbed in the new idea that I completely lose focus on what I was working on, or I tell myself I’ll remember the new idea (but never, ever do).

Worse still, I sometimes try to maintain focus on both at the same time, trying to remember the new idea while still working on the original piece, rendering both efforts frustratingly inaccessible and mediocre.

My hands already cramp up trying to keep up with the speed of my thoughts; now I’m trying to hold onto an idea (or more than one!) while also pursuing a separate thread of attention. It’s simply not possible.

Writing on its own is hard enough—and research reflects this.

Continue reading How To Turn Distraction Into Your Best Writing Session Ever

Want to be a Writer? Stop Fetishizing Talent

“Can anyone help me become a poet?”

I’m a member of several groups for writers on Facebook—and this was a recent post in one of them. It struck me. I took this question (“Can anyone help me become a poet?”) as coming from a place of sincere desire to grow and hunger for art and artistry.

I clicked open the comments—I was so curious about what the advice would be.

Would they recommend great poets to read and get inspired by? Would they offer exercises, like free-writing or morning pages, to help unlock a boost of creativity? Would they tell stories of their own journeys as writers, about how hard they toiled over their craft?

To my dismay, most of the comments went something like:

  • “You can’t teach talent.”
  • “Talent is a gift—you’ve either got it or you don’t.”
  • “In order to be a Real Writer, you have to have a natural, God-given talent, and if you don’t, you’ll never make it.”

As someone who has taught writing for years, this broke my heart.

Here was a person genuinely interested in learning the art and craft of poetry, and comments like these were completely shutting him down.

And this isn’t an isolated sentiment. The idea that talent is to be prized above all else has haunted almost every writing community I’ve been a part of—from groups and forums online, to undergraduate workshops, to the halls of my MFA program, to the students and writers I’ve worked with both on and off campus.

Continue reading Want to be a Writer? Stop Fetishizing Talent